a couple of months after the release of sweet nothings, dapayk & padberg are once again treating the vinyl-heads amongst us to a 12? consisting of a sunny selection of the albums core material, just in time for spring. kicking off the a-side, berlin summer nights is nothing short of an anthem: classic rave sounds of epic proportions glide through an arrangement of bouncy beats, crisp percussive work and hopeful vocals until a powerful breakdown delivers the hands-in-the-air moment. this year, summer has come early. next up, the sun came up bedazzles with a pumping beat and robotic vocals, while a progressive synth lead helps along the track’s love lyrics, turning this into a truly stunning musical moment, which already proved its power at sweet nothings’ heart. on the flip, dapayk & padberg present the albums opener, the trippy too lazy. here, were dealing with a rather brooding afterhours number that is equal parts paranoid and mesmerising as a wonky bass vibrates under dubbed out pads, eerie synths and vocal whispers. the perfect antidote to the cheery a-side!

o jays road manager, don king prison chauffeur, window washer, house painter, ink spot, domino, producer, engineer, label owner, guitorgan technician, and one-time steward of a coveted jet magazine delivery route, lou ragland is cleveland s eastside success story. though suffocated by lake eries nitrate rich waters and the burning oil from a cuyahoga river fire, between 1967-1977 lou ragland produced the most thoughtful, hopeful, and downright soulful work to come out of the forest city. bookended by his dynamic albums hot chocolate and understand each other, i travel alone gathers period singles, collaborations, and an unreleased live album cut in 1973, revealing a cleveland genius in a musical microcosm of fearless and confident creation.

a retrospective compilation of etienne de crecys work in the last 20 years. essential tunes, remixes from 1995 to 2011 and unreleased tracks from 1992 to 2011. a total of 69 tracks on 6 x 12 inch vinyl in a collectors box.

the sccucci manucci label has done a fine job of handpicking artists on the rise for their releases to date, collaring the likes of casino times, francis inferno orchestra and toomydisco as well as the odd established name like jacques renault. the labels fourth release forza quattro is still grounded in the disco/house sensibility that has served them so well, though the presence of waze & oddysey demonstrates the sccucci a & r team are willing to deviate. the elusive us pair are in the midst of a hot patch right now with releases already burning on body work and southern fried and plenty more due over the coming months, so their presence here is a real coup. i cant hear you sounds vaguely like a extra bouncy cover of the classic rip groove and definitely ranks alongside their output to date. alongside this the white vinyl ep has tempo traversing contributions from fil lavin, sellouts and deadly sins, with the latters slow and chuggy -dont you know- a particular highlight

this smashing and diverse tune has been getting biiiig response all across the globe with heavy support from the top including hatcha, n-type, plastician and a slew more.originally debuted on targets bbc 1xtra show,doctors pristine grime vocal studio work makes this track accompany a heavy sub-bass signature sound you can only get from musicians who immerse their lives into dubstep and spend time developing their own style.those such musicians are megalodon and conscious pilot.

first on only availanble via decks.de !!
vierzehnnullvier is a potsdam / berlin based label that will start with a release by an artist called unholded. the first vinyl is supplemented with a remix work by the incredible and well known artist bruno pronsato. nothing more to say but ... vinyl first!

space djz deliver two outstanding cuts of techno with level 7 and their own remix. to back this up we have arranged further mixes by some of the uks strongest talents. a sublime tech-house rework from roberto is followed by a big-room work out from ed mackie & henry cullen.

written and produced by andreas dimitriadis aka and.id, mobilees 92nd release is a compilation of ideas and work developed in three different cities.

some people do music as a hobby, some people take it as a job, and some people just live for it. eduardo de la calle has been producing and releasing techno music around spain and europe for more than 16 years. a real veteran in the techno music scene, he has lived and worked in numerous cities developing his own projects throughout the years: lots of hours behind decks and in production studios. eduardo has an enormous potential, his love and passion for music, his production and his dj sets, deep and full of intensity have earned him a lot of respect. limited 3 x 12 inch pressed on pure black plastic vinyl (no label paper on vinyl).

the ganas ep is dedicated to professor jaime escalante who passed away on march 30, 2010. the movie >stand and deliver< was based on his life. as a math teacher, he worked hard to inspire latino students in east l.a. to work hard at their math skills and at life with desire or in spanish ganas. when everyone else expected latinos not to do well at advanced math and calculus, he reminded students that the aztecs and mayans were masters of numbers. the tracks on the >ganas ep< are designed to inspire listeners to overcome expectations and remember that todays so-called minorities are the descendents of some of the worlds greatest civilizations.

the unstoppable my favorite robot records returns with a new single from lightbluemover featuring a collaboration with regular partner black light smoke and a remix from my favorite robot, james teej & nitin… lightbluemover is the moniker adopted by dj/producer francis harris best known for his work as adultnapper.

record store day is synonymous with exclusive and limited releases and this year is no different. featuring a collaboration ep with adrianyounge from venice dawn and black dynamite fame and adrian quesada from the echocentrics, ocote soul sounds, brownout and grammy-winning grupo fantasma. a first name is not all adrian younge and adrian quesada share, they also both have an equal love of the psychedelic, the cinematic and at the root of it all, soul music. so it was inevitable that a collaboration would eventually come to fruition. mutual admirers of each others work, they first met at the sxsw music festival while on the same bill. both began their production careers on mpc and taught themselves various instruments to further capture the symphonies heard in their heads. fresh off his current solo project something about april under the moniker venice dawn, adrian younge found time to create all new tracks with adrian quesada who just released his echoland tribute to timbaland with the echocentrics. although both are distinct artists in their own right, they are cut from the same cloth with a signature sound thats equal parts morricone, early portishead, wu-tang and 60s psychedelic cinema soundtracks. their combined efforts on this ep guarantees a double dose of the sound we have come to expect from these talented individuals.

tabernacle is more than a release, we just feeling it as a religious idolatry, and religion is music or better club music. if the club we mind is belonging to past or future it doesn’t matter, what we know is that it seems not belonging to present cause present seems not to exist anymore: we are all enmeshed in an immediate availabilty of what has been, we are all trapped in a geography of eternal availabilty”.
well this compilation, built of three eps, will be just enough available: on vinyl. yes friends there will be some huge singles extacted from the whole work but the origin of the idea with different artists, friends, styles, attitudes, moods will be on vinyl only… so start to fill the cart of your fav portal, remove the dust from your turntable and enjoy this timeless clubby sound.
ep1 is out now, featuring billy bogus vs soneek mx, mushrooms project, soupaczar, space ranger, loudtone.

we at eskimo recordings are proud to present you the first in a series of double a-side releases. casio social club (aka justin winks) is paying homage to the summer with nordic nights. its an upbeat disco track which is bound to get everyone on cloud nine. and on the dancefloor. kolombos cooperation with michael parker was already featured on aeroplanes inflight entertainment comp. this time hes collaborating with djuma soundsystem, who everyone will still remember from their intergalactic 2006 hit les djinns.with cherimoya, this danish-belgian cooperation seems to work out perfectly! double a-side boys & girls.

the 2 halves of zoovox, king ludd and night manager, split this 12 inch with 2 tracks each. beautiful neoteny is a fresh number with incredible synth work & is followed by the light-hearted bucket brigades. the sound of sound and squitty, meet squilly on the flip are true synth workouts!

for the next installment in the dc ltd series, drumcode present a three-track ep from the spanish pairing of psyk and alberto pascual - both increasingly familiar names on the circuit thanks to their work for plus 8, figure, analytictrail and sleaze. ascent leads off the ep with what is sure to prove to be a popular combination of upbeat old-school keys and resolute marching beats. descent switches things up, treading heavily through a melancholic soundscape of mechanical stabs and harmonic pads. finally, permanent dishes up a solid rhythm track interspersed with distinct rising tones phasing in and out of the mix.

fully koded chicagoians traxx and beau wanzer team up for another mutant beat dance release. together they have produced arguably the best 80s chicago house record not made in the 80s. the mutants call it jakbeat, inspired by the early days of house music. tip!!! let me go is as intense and rhythmically inclined as they come. naughty woods sparse vocals cry desperation, almost nearing insanity, which makes up for a pressure cooker like warehouse anthem. rottonfunk is another intense work out which has a killer groove and makes us wander off to the promised land (wherever that is). its delightful to hear that chicago house music this good still gets made. surely when it was released way back when, it would fetch top dollars on the interweb. authentic stuff!

a.paul is well known for delivering ferm dancefloor orientated techno. surely he wont dissapoint on this naked lunch 12inch. dark and edgy drums combined with sqeeuky yet sinister atmospheres. essential underground techno.

js is the half of the rks project and one of the minds behind earth mothern. for the fifth work of the label he produced a thick ep transfiguration of the dark side of the earth (mothern) which points out all his talent. the first track, when i met mary, heavily influenced by the early sound of berlin and detroit, is a dancefloorkiller. ocp rework the track with their bare gross minimalistic blueprint, mixing and recording on physical electronics as it is mandatory at the restoration headquarters. king korgs hypnotic synths and strong beats, pushing on melancholic pads. roll a groove for a savage ride… the last track, thinkin of you is a sweet late night house tune, evocating the skyline of chicago and detroit

london based welshman chamboche returns to the label that launched him with the smoke screen ep. his unquantifiable sound swerves genre classification, hovering around house but with enough musicality to please the hardened disco head. swirling pads and a bubbling bass line set down the groove, while keys fall around horns and vocals to make the lead track a refined, uplifting work out. slowly unfolding, the track is hypnotic and absorbing, showcasing the style of a producer as able to work the mind as the hips. bicep toughen up the drums and work the arpeggio, stripping down the track and bringing the chicago influence higher in the mix. while the original subtly unfolds, their remix demands attention from the outset, building to a climax then recoiling for another bite at the cherry. thinking big, krl ramps up the intensity with a bright, kinetic reworking. aimed squarely at the peak time, he harnesses all of smoke screen’s most propulsive elements to really work the floor. tucked away on the b side is the expansive mind your mind. trademark chamboche percussion is woven around a blissful riff, swelling majestically to round off the ep in slo(w) burning euphoria.

hands of time continues its run as one of the most excellent and dependable labels on the market with this, social disco clubs new unknown sea ep. the release features three killer tracks. >lilt< is a deep and driving house banger with some soulful diva vocals. simple dreams is a return to the sort of leftfield disco sensibility that weve come to expect from the label with some groovy organ work and a beat that wont stop. finally, unknown sea has a straight-up jackin, minimalistic feel coupled with a sense of ethereal beauty that should do wonders both on your home stereo and on the dancefloor. with the label investing in a new cover design and quality releases like this, hands of time is definitely ready for 2012

after a successful 2011 releasing his sound on labels such as rejected and area remote, mark presents his debut single for saved called sacrifice. the track possesses a catchy, old school style bassline running along deep punding kicks and bright hats. the vocal takes centre stage and guides people towards the drop with the synths adding extra energy to the production. on the flip side is a re-work from the legendary terrence parker dishing up the usual high standard of additional production

killer vocal-led detroit-inspired electro 3-tracker from miotek on his new seven sisters imprint. hailing from the small latvian town of ogre, where after post soviet union regime time, djing traditions became strong very fast. raised by local djs on chicago and detroit sounds of mid 90s, miotek been involded in to the electronic music and started to develope his djing and producing skills aswell as promote first illegal raves in town with his crew of like minded people.there wasnt anything impossible for young boy of 16, full of energy,inspiration and desire to play & make music, everything went forward very quickly: acceptance on latvian dj scene, uncountable events, club residences and radio shows. after 11 successful years on the local latvian fields in 2010 he deside to move to the next level and moving to uk where started to work on his record label seven sisters records,

phillips is the magnificent debut album by phillip lauer on running back. frankfurts melody man has amassed a body of work that includes the adventures of arto mwambe, top singles (delta nrg) on his extinct brontosaurus label for permanent vacation or live at robert johnson as well as remixes for the likes of maxmillion dunbar or with the tuff city kids project. the twelve songs that make phillips have been described as 808 state kissing movin records while cluster are in the room –, or a dolby nr tempest. whatever you want to call it, it has all the ingredients and romantic notions that can make dance music oscillate between the sacred and the profane: house, gloomy gothic grooves, cock-eyed electro, new wave trance and lots of songs without words. the power of lauer. available on cd, nine track gatefold lp and digitally. escorted by two tensnake remixes of trainmann on rb032 and more to come…,.

nice price deal !!! real name dan griober, dan habarnam has been active since the 90s, doing production for romanian pop artists while also working on his own projects. his solo catalog is pretty slim, with just a few appearances on drum & bass labels like santorin and subtle audio, but from the known is clearly the work of an experienced artist: though loosely anchored in techno, ambient and bass music, its stylistically open-ended, and produced with an audiophiles attention to detail. according to the label, groibers meticulousness extended to the mastering process as well (the cd, for instance, was recorded direct from the vinyl to achieve that special analog feel)

memory ist nicht unbedingt eine abkehr von lazer swords frühen stücken, aber diejenigen, die peitschende hip hop-beats und gecuttete vibes erwarten, werden überrascht sein: antaeus roy (aka lando kal, neuberliner) und bryant rutledge (aka low limit, san francisco) haben sich zurückgenommen, aber gleichzeitig ihre soundpalette erweitert. sie präsentieren eine schlankere, sexiere, cluborientiertere version von lazer sword, die auf 80er electro, detroit techno und verschiedene uk futurism-einflüsse zurückgreift. die palette reicht von klassischem techno, über einflüsse von juke und footwork, infiziös-mutiertem 80er freestyle bis zu gastproduzent jimmy edgar mit seinen berühmt-berüchtigten roboter-sex-vibes.

following a busy year of stylistically varied releases under various guises on his own magic + dreams label, ralph cumbers delivers his first long-player for punch drunk. with a title lifted from the lysergic prose of a brian aldiss novel and grooves informed by the loopier, more martian aspects of chi-town jack and detroit techno-soul, >reeling skullways< marks a subtle, but highly alluring development in the evolution of cumbers primary recording project. long-term bass clef fans may be surprised by the lack of samples on this album, and in many ways it follows a similar creative process to his recent work as some truths, with most rhythms and textures sculpted from the raw, elemental waveforms of modular analogue synthesis. but with tighter editing, contagious melodies and perfectly positioned drum patterns, the end results reveal bass clef simultaneously at his most stripped-back, focused, playful, complicated, emotional and irresistibly groovy. unfettered by fashionable production tricks, imbued with a timeless machine-soul heart, >reeling skullways< is one of those albums you will be reaching for again and again.

ross caiden is a new name on the scene already racking up some cracking releases. after giving us a remix of ryders >thirty five days< back in december, we now have an original ep from him.
>gunz in the hood< is a hat filled, heads down, groover. lewis ryder tweaks things with an indulgence of analogue synth work, keeping the peak time rawness.
>new york city gritty< sure does have the hustle & bustle of a large city. large room techno. with this, tom eales completely changes the sound, making a very warm & drifty mix.

there are those records you like working on and then there are those records you love working on... this is one of those records we loved! we could not be more excited to welcome back to the camp, the beautiful, amazingly talented tamara wellons. along side her again on this journey at the helm is one of our favorite producers anto vitale that co writes and produces this project. the first time we laid ears on this single we knew what was in store for it, time to bring in the gang to put everyone to work and that we just did for this one. on the remix duties is the man in charge of the soulful movement dj spinna that gives us his signature deep vibes. if that was not enough we welcome back jose carretas that just murders his remix with just enough bounce for the clubs but keeps true to the deep house movement.next up is our good friend jonny montana that never strays from the true elements of deep house and gives us a mix that will be played for years to come with his timeless production. as we always say sit back relax and play this one loud!

after several years expanding hemlocks roster, untold returns to the label with his own brand new cache of shape-shifting, sonic mastery. this is his first release on hemlock since the seminal >gonna work out fine ep< changed the game in 2009, part one of a triple ep set, >change in a dynamic environment< is the sound of a boy brought up on jungle pirates, once again smudging the edges of house/techno/bass/ oh whatever … just listen.

after the huge success of suonhos >the ghetto< 12 inch last year, we jumped at the opportunity to work together with him again. this is the first 12 inch from an ongoing project titled >the directors cuts<. five hard to find tracks each with deep funky flavour and not originally intended for the dance floor superbly reloved, rearranged and given that extra bit of suonho magic!

to complete the current run of samurai releases we present a 12 inch from lynx (detail recordings / soul:r), an artist we have always admired. lynx is a true individual who’s style can never be compared to anyone else, the kind of producer we like to work with. after hearing our first release on samurai horo, he approached us with these 2 tunes and we instantly knew he shared our vision. both sides are unique and stylistically adventurous like few others in the 170 bpm construction business. dj support from dj hype, laurent garnier, jubei, loxy, spectrasoul, john b and more.

aleph04 comes with three special reinterpretations of the labels first three eps. mano le tough is first in line. his remix of > flowers on fire< from aleph01 takes the originals colorful and spaced out vibes and puts them into a little more dancefloor friendly context, with a big 808 booming away and the swirls of the original synthline driving the track forward. mano has been a big supporter of the label right from the start and his releases on permanent vacation, buzzin fly or internasjonal have been turning heads quite a lot, so its an honour to have him on board. the second remix is by wasted gaze. this newcomer from vilnius / lithuania delivers an amazing version of >port hope< , taken from aleph02. a powerful, 2step / garage inspired beat sets the pace, while glowing pads, a super deep bass and enigmatic vocals take care of the rest. watch this guy, his untitled states ep on partyzanai is one of the most intersting and exciting records in a long time. the last track is a remix by aera aka m50 from chicago, who, quite fittingly, took care of this spaced out take on whats my name again? from aleph03. this one is for the heads, a special gem that will work magic in the early morning hours

so disco cakes is back with yet another chart topper. this time the dancefloor outlaws do battle with label bosses defkline & red polo. so what happens when the kings of booty breaks take on the might of the outlaws? well you get an ep of epic proportions. its packed with both there styles, the booty shacking bass and hooky vocals you have come to expect from defkline & red polo matched up against the crowd pleasing disco esq funk you have come to expect from the dancefloor outlaws. they are 4 cuts that will sit in your bag and be weapons in your artillery for a long time to come. available in both vinyl and digital these bombs will shake the dance and work the crowd in true cakes fashion.

with two highly successful eps on gamm our stockholm turntable master will-rock is now back with his 3rd and in our opinion strongest ep.
this time he takes on beyonce, hooking up her vocals with a classy maceo funk classic. on the flip hubby jay-z gets his revenge when his 99 problems classic gets funked up with fatback bands >wicky wacky<. trust us … this one rocks the party big time! as a bonus we also left you with a nice edit of the original >wicky wacky< jam as well.

following releases on mathematics, boxfade and vuzkid, chris moss acid returns with an extraterrestrial four tracker on holland’s 030303. the a-side features bay of cadiz, an eleven minute cut built around an hypnotic bass line and a simple hitchcockian synth that would do well in a horror movie featuring zombies with smiley faces. on the flip, lynchette matravers is an energetic, crystal clear banger reminding of early 808 state. the big freeze sounds a lot warmer than the title suggests and should please anyone into afx’s later output. the rhythm, the fourth and last track on the ep, continues on that vibe with beautiful synth work. chris moss may look like a nutter, this sure is serious sonic pleasure

jack fell down are a slight adjustment to the generic format presented by producers and djs who. through conformity and expectance stand without exception in the fog of musics popularity led culture. opting instead to work in obscurity and anonymity jack fell down have signed a deal with one of the worlds longest standing and respected dance labels, southern fried records along side some of the industries biggest artist. jack fell downs debut release is a limited edition 12 inch extended player and will be in shops april 2012, this will be followed up with remixes for the 2 bears and a second ep with southern fried. jack fell down have an exclusive track on the upcoming jaymo & andy george compilation and have confirmed radio shows and blog podcasts with platforms such as ibizas sarah mains syndicated radio show. jack fell downs approach to a performance is purist, exchanging the mac book pro for the 1210s and the digital effects unit for technique, they are content to share the love at a dirty bog stomp or a world class club.

check the guns are back with the second to last instalment in their tape edit series. it is onwards and upwards for 004 where side one sees a deconstructed work out of the fatback bands >the girl is so fine<. track 2 >house down< is a no holds barred party tune for the discerning dance floor that will do all the work for you. on the flip >sugar samba< is a rework of the london records classic from julia and co. finishing off we have an edit of heatwaves >super soul sister< which is a gem of a vocal funk track that gives as good as it gets and leaves you wanting more.

club trax is a limited series of vinyl, only dj friendly versions of songs from the past and present

limited edition 7inch single from the forthcoming album >saturday night<, the lifes work of cyril walker

lowriders remains true to form, keeping it skewed, crooked, and freaky as hell, in their latest limited edition compilation. the power shuffles ep compiles seven of the most forward thinking juke/footwork inspired tunes from all over the planet, into one vicious slab of vinyl goodness. created with a root in the chi town sound, but operating somewhere within the fringe between genres, this album delivers a hyper fusion of style.
7 tracks in total on a limited handnumbered vinyl, including silkscreened cover!

a vanguard touch for a classic gold work on loose records by the label boss rino cerrone and flavio diaz, with an epic re-editing and two remixes by tom hades and jake childs. first one made a lot of releases for mb elektronics and rhythm converted, jake childs is famous for his success remix of blazes lovelee dae on om records. miseno is a mix of funky and old school techno melodies, with a strong kick and a warm bass line, the hi hat gives a sliding rhythm to the groove. the hypnotic synth is the essence of this track, very tasteful but very techno. extraordinary wiring makes a second step with jake childs, with a carrying tech - house beat and a funky bass line. everything is rhythmic and moved on by a minimal synth which runs on the track shaking the people on the dance floor. a tribal mood on a tech - house beat, the sub bass is pushed on by a powerful kick and the synth bass makes the track very strong. energetic tune and very good stuff for take a dance, just another last cigarette for tom hades too. a magic and innovative rework from loose records, the fusion of different styles enclosed in one release, enjoy

ferdinando apicella aka kernel key adds to his extensive discography with pass it on backed with a remix by sebastian leger the release will drop on italian imprint loose records this december. a sound engineer by trade, apicellas work as kernel key is inspired by detroit techno but sounds entirely his own man. having released his first release on mkt rec, a close affiliate of loose, last year his productions are solidly growing in stature.pass it on not only marks kernel keys debut for loose but also the first remix for the imprint from the irrepressible sebastien leger, whose version of pass it on opens the ep.frenetic, swinging and massively infections, legers version is pure dancefloor mayhem and sees the revered producer inject fun and funk into the original.kernel kes original pass it on is relentless groove with short melodic loops and nagging bass doing all the required work while bizarre filtered keys cut through the tracks nicely judged breakdown for maximum build.lady red rounds off the ep with yet another squarely aimed dancefloor cut. as tight and urgent as pass it on but with slightly detuned stabs and a freakier feel, its a peak time animal of a tune.

philadelphia producer king britt has dusted off his analogue machinery for 3-tracks of sci-fi indebted synth work. hyperdub present a brilliant and subtle curveball courtesy of phillys finest, king britt, in his new guise as fhloston paradigm. built from drum machines, analogue keyboards and 303s, and edited in the computer, these three lean and mean tracks have an unadorned feeling that build on hyperdubs love for old john carpenter style electronics, combined with dr patrick gleasons ear for the abstract, and bouncy drum machine syncopation that sounds like they are aiming for an alternative present where analogue synths are still king.

its a great honour for us to be able to present conrad schnitzlers last work. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. its like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young artists like emeralds and oneohtrix point never. wihtout his solo works and his projects kluster, tangerine dream and eruption electronic music wouldnt be the same. the tracks on the vinyl edition are in the order sides a,c,b,d. this allows you to make your own mix of this big work.

12 inch album sampler from taken from hervas debut album meanwhile in madland will leave you literarily astonished!! a1 tech house bomb be like me, comes exclusively on vinyl as well as the deep & hypnotic dj nature remix!! meanwhile in madland is a work of rhythmic seduction and deep breath, with a relatively restricted, yet very distinctive canvas of sounds, digging into different genres, providing a refined and enchanting result. on this sampler youll also find triangle, an electorid trancey uk funky track prooving our youngster is reactive and prepared to the most recent floor developments. soul crash, is a spiritual electro-funk track with the right dose of angelic singing and charming keys, bringing back your memory to aphex twins selected ambient works volume i. the sampler story ends up with the sensual male-female singing interaction of breathe!

after appearing with c-beams recently,break sl strikes back with a massive track called desert flight that has already been causing a stir amongst the uncanny valley crew for quite a while.over the course of ten minutes the track unwinds as an analogue slowhouse trip that is dominated by a gritty synth figure.with typical sophisticated break sl drums,radio transmitted messages directly from the cockpit and a freaked out siren its a track that is not from this world. the flipside starts off in a more classical manner with the rumbling house of amorphed limits. the track is distinguished by rapturous synths and gets spiced up through additional drum work by break sls partner in crime manuel sander. beercase song originates from collaboration with dresdens universal genius max rademann. his quirky keys and break sls drum workshop create a dirty piece of funk which rounds up an eclectic ep by a versatile producer.the cover artwork was created by visual artist and designer julien simshäuser who illustrates the trip that is desert flight.

incl huge brendon moeller resketch. majestic yet playful, monotasking is a 9-minute love letter to the euphoric lost dance floors of the mid-90s written in the code of today. merging hypnotic polyrhythms with quirky swung drums, its the harmonically modulated chords that carry the theme, transcending their elusively simple rhythm with an evocative narrative structure that seamlessly guides the flow of the piece before evaporating into the translucent pads of the outro. pulling no punches, monotasking is perhaps preds most fearless work to date - with no better home than here on thoughtless.